exploring muslim identities in europe & north america

Danish artist Kurt Westergaard died at the age of 86 on 14 July 2021.  The  illustrator was the creator of one of the twelve drawings published by Denmark's  largest daily conservative newspaper   Jyllands-Posten  on  30 September 2005, in an article entitled  Muhammeds ansigt  (The face of Muhammad).  Flemming Rose, the culture editor of the daily had written about the project commissioned by him and which  Kurt Westergaard was part of : Modern, secular society is rejected by some Muslims. They demand a special position, insisting on special consideration of their own religious feelings. It is incompatible with contemporary democracy and freedom of speech, where one must be ready to put up with insults, mockery and ridicule. It is certainly not always attractive and nice to look at, and it does not mean that religious feelings should be made fun of at any price, but that is of minor importance in the present context. ... we are on our way to a slippery slope where no-one can tell

Courtesy of Washington Post A cartoon that appeared recently in the Washington Post reminded me of a topic I have often discussed in classes and have written about in my book Islam in Europe , notably the construction of the Muslim woman as "subaltern". The cartoon powerfully points out the aporia of the woman over whose body two men, representing ‘Islamic traditionalism’ and ‘European secularism’ respectively are challenging each other. Gayatri Spivak has pointed out this aporia in her discussion of widow self-immolation in colonial India: "The relationship between the imperialist subject and the subject of imperialism is at least ambiguous. The Hindu widow ascends the pyre of the dead husband and immolates herself upon it. This is widow sacrifice… The abolition of this rite by the British has been generally understood as a case of "White men saving brown women from brown men." White women-from the nineteenth-century British Missionary Registers to M